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Bartók forever
Praeludium und Fuge über den Namen B A C H BWV 898
Bartók forever
4:18 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 21 11 8 97%
Bass 30 7 12 10 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 21 11 8 97%
Bass 30 7 12 10 89%
 
A Hornepype (shortened)
Bartók forever
3:19 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
 
Pavane. The Earle of Salisbury
Bartók forever
1:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
Bass 18 7 2 6 89%
Bass 18 7 2 7 89%
 
Rezitativ und Arie from BWV 82
Bartók forever
6:44 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
Bass 24 0 9 6 98%
Sopran Treble 18 0 7 8 96%
 
FUGA SSWV 129
Bartók forever
10:47 Est. Play
Time
153 Measures
1,247Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 8 9 87%
Bass 23 0 5 9 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 8 9 87%
Bass 23 0 5 9 89%
 
D. Scarlatti - Sonatas C Major K. 356 and K. 357
Bartók forever
28:04 Est. Play
Time
315 Measures
2,133Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 39 28 15 8 98%
Bass 45 69 15 7 98%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 39 28 15 8 98%
Bass 45 69 15 7 98%
1 Treble 35 13 13 6 47%
Bass 42 37 13 6 52%
1+2 Treble 1 0 0 4 8%
 
Aria from BWV 988
Bartók forever
2:21 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 1 3 8 100%
Bass 22 0 4 7 72%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 1 3 8 100%
Bass 22 0 4 7 72%
Klavier Treble 16 1 3 13 100%
Bass 22 0 4 10 72%
 
"Gradus ad Mikrokosmom"
Bartók forever
24:23 Est. Play
Time
674 Measures
1,926Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 42 10 19 9 96%
Bass 38 3 20 9 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 42 10 19 9 96%
Bass 38 3 20 9 96%
 
Dolcissima mia vita
Bartók forever
1:58 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 14 0 5 7 93%
Sopran Treble 13 0 5 8 91%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 14 0 5 7 93%
Sopran Treble 13 0 5 8 91%
Alt Treble 15 0 6 8 89%
Mezzosopran Treble 15 0 6 7 89%
Bass Bass 18 0 6 8 76%
 
Allegro (Fuga à 4) from Suite No 3 HWV 428
Bartók forever
1:53 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 10 9 97%
Bass 24 1 7 10 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 10 9 97%
Bass 24 1 7 10 93%